Fuck You

LEMONIA (F)LIP EDELTRAUD => the Only Way Out

ATHENS
TUESDAY MORNING
14/1/2014

FUCK YOU

1. I feel so happy, so released when I say, "Fuck you",
2. Took a long time to bring myself to this high point,
3. It was a lie when I told you I shoot blanks,
4. Don't spread your legs, don't turn your arse, I ain't gonna spank you,
5. A honest wank has a more florid counterpoint,
6. For brainy people what is left is brainy wanks,

2. Don't spread your legs, don't turn your arse, I ain't gonna spank you,
3. Took a long time to bring myself to this high point,
6. For brainy people what is left is brainy wanks,
5. A honest wank has a more florid counterpoint,
1. I feel so happy, so released when I say, "Fuck you",
3. It was a lie when I told you I shoot blanks,

3. It was a lie when I told you I shoot blanks,
5. A honest wank has a more florid counterpoint,
2. Took a long time to bring myself to this high point,
3. Don't spread your legs, don't turn your arse, I ain't gonna spank you,
6. For brainy people what is left is brainy wanks,
1. I feel so happy, so released when I say, "Fuck you",

INSTRUCTIONS:
For those that they did not get the point yet, this is a hexatonic whole-tone scale, let's say, C, D, E, F#, G#, A# for example. A rule is borrowed from "12 note serial composition" which states that no line should be repeated before all 6 lines have been "sounded". (It calls for a live performance).
The meaning (if any) does not get much affected in any combination, of which there are in this primary form 1x2x3x4x5x6 = 720 combinations, provided that we stick to the afore mentioned rule.
Of course all other serial techniques of retrograde, inversion and retrograde-inversion are allowed, in which case the meaning, although may seem at first experience as deteriorating, it is in fact improving.
Other techniques may involve "word shells" like ,"so released when left to florid wanks", or "your arse, this high point, took what is left" etc, etc.