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demure101
demure101
212 Followers

From up this tower you see full half the shire -
that's what they say, at least. But what I see
is just that part of it that's been to me
my world, my life, my chances and the wire

that I got caught in, like a poacher's snare:
the flowery field where as a child I'd play;
the old stone house from whence I'd made my way
to town to study; the untidy lair

I used to sit in, reading, with one part
of what I was intent on what was said
while half the stories changed and left my head
and turned to hopes for later in my heart.

Then there's the lane where we'd go for a walk,
those early evenings with my heart on fire;
my hands and breast were trembling with desire
while all we did was walk about and talk.

And then the house grew full, and living changed,
and all the hopes I'd entertained got tossed
onto the dunghill as we quickly lost
what little fire there was and got estranged.

The library's in there, my friends of old
I haven't turned to now for quite some years -
to read of love reduces me to tears;
dreamt fire's no comfort in a world gone cold.

Below the bridge the water murmurs by;
somebody's leaning on the parapet
just like I have so often leant on it
to watch the lazy stream reflect the sky

and wonder if the clouds are happy there,
beneath its shiny surface. Happy... Sad...
What does it matter? All the world looks glad;
it would be childish if I didn't bear

things like I should: the failure of each plan;
the spark that died; the peace we couldn't keep –
they're all down there. I only have to leap
to get right back to where it all began.

demure101
demure101
212 Followers
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4 Comments
DawnJDawnJabout 9 years ago

Ah, memory and reality...

pelegrinopelegrinoalmost 10 years ago

I just love this rhyme scheme of ABBA which is to me like a small arch form and very musical in itself and where the 1st line can be a proposition, 2nd and 3rd a development and the 4th a conclusion of a thought, (like a sonata form in a nutshell) . You work very skillfully by concluding sometimes in the middle of a 4th line, using the rest of it as introduction to an additional memory and you carry on developing the meaning and making it richer and more complex by introducing the ideas and the new themes both gradually and naturally so as to leave one in no doubt about the natural flow of thought (just like the streamlet "murmuring" in the poem itself - I love the way that your first full stop comes in the end of stanza 3!).

Then stanzas 4, 5, 6, are complete in themselves (with full stops and self -contained in meaning) and back again in stanzas 7, 8, 9 to the first technique of development and working on your conclusive ideas, by a similar enjambment to stanzas 1, 2, 3.

So, it forms in my mind a bigger ABA layout which works perfectly as a structure containing your marvelous poetical content!

I wonder if you were thinking somewhere near along these lines I have just described while you were writing, or it's just my "formalist" imagination. In any case you gave me a lot to think about and I've enjoyed it very much.

High 5ed, thanks for sharing.

tazz317tazz317almost 10 years ago
WHY CLIMB SO HIGH

just to see whats within. TK U MLJ LV NV

AnonymousAnonymousalmost 10 years ago
*****

Atop instead of up in the first line?

Wonderful poetry.

Five.