Daphne Doohuggins on her Bed

To avenge the terrible humiliation of his friend Carboys at the hands of Brenda and Raoul, Gerard Pippenboyce, Daphne's lover, has entered his own artwork into direct competition with that of the artiste-seducer, Raoul Bullhour. Pippenboyce has measured the fat fellow a loser and his photos of nude womyns minor, especially those of pregnant enceinte womyns. Pippenboyce has judged [correctly, according to Bullhour's wife, Lizzie] as a solitary masturbator whose nude photo business with womyns provides him with a supply of visual stimuli for his solitary sex-with-himself. Pippenboyce, too, masturbates like crazy, but never alone, only together with his sweet love, Daphne, or, if not together with Daphne, he masturbates to prepare himself for her, whom he loves to please every morning--after which intercourse she falls back to sleep while he works. Here is the artwork Pippenboyce submitted to compete with Bullhour's. Pippenboyce submitted "Number One Womyns Prize" into the Horse-Womyns's ArtCom Contest held in the middle of June 2004, two months after Hobart Carboys confided in him (in March, 2004) that he had suffered cuckoldry and other abuses at the hands of Bullhour.

• "Number One Nude Womyns Prize" awarded Blue Ribbon by ArtCom, 2004

  

  Entered to compete directly with Bullhour's entry, "Number One Nude Womyns Prize" is Gerard Pippenboyce's portrait of his wonderful lover, Daphne Doohuggins. In this, Daphne is being visited and renewed by the Sun Goddess. This solar rejuvenation recharges one's own supply of Vitalis Universalis--which is usually directed and depleted outwardly and is the natural spirit of Life--, and redirects it inward to rejoin and strengthen own sexuality, which then is projected outwards in a form of a greater beauty. Daphne always enjoys a multiplicity of climaxes making love to her man Gerard Pippenboyce, whom she adores. She experiences orgasmic intensity with the man she loves, an intensity far greater than promiscuous womyns not in love with the partner of the moment, and because of love's sympathy is able to imagine with far more clarity the meaning and function of her own and her lover's fantasies. To him, she has never said, "no."