Holy Facial

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Kneel for this devotion, cup your hands to hold

One half of the stuff of life, watch the conduit unfold

Breathe your prayer gently all along the raising length

Kiss the tip then open wide, surrender to its strength

Let you tongue be vines that crawl over the ancient tree

Entwined around the sacred trunk to set the spirit free

Taste the girth from side to side leave nothing unexplored

Let your spit become an echo of the blessing to be poured

Caress as if a penitent for the shriving that you seek

Beckon with your fingers draw the sceptre deep within

Withdraw and tighten fist on fist as the crisis nears its peak

Until the seed that quickens expends over your skin

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ArjayEiffArjayEiffover 11 years agoAuthor
Rhyming

The question is a fair one, and I'm personally am wary of end rhymes for their own sake. I've seen too much poetry that sacrifices meaning (poor), or rhythm (bad choice), or just tortures language to achieve a rhyme, to be a slave to it myself.

My preference is to rely more on rhythm, with the odd internal rhyme to manage pace. (High Tide, which is also posted on Literotica is a long but hopefully worthwhile example).

In this instance I was trying for something different. I wanted each couplet to stand alone as a moment, and the use of end rhyme was to close each couplet firmly, with no run on. Think of it as stop motion photography rather than a movie.

Thank you all for reading and commenting

twelveoonetwelveooneover 11 years ago
what is it about these things

that causes them to be dumped into rhyming couplets?

some profane significance i'm missing?

i forgot to vote

ArjayEiffArjayEiffover 11 years agoAuthor
A Kiss Upon Your Shoulder

Another one from my new collection A Kiss Upon Your Shoulder, which is on Amazon and Lulu now.

tazz317tazz317over 11 years ago
TO WASTE THE SEED ON SKIN

leads to species unbound, TK U MLJ LV NV

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