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molineux
molineux
2 Followers

Upon the air there was a face I knew
from coarse-grained stills, a woman that would make
old feelings stir - uncertain admiration,
some vague doubts: apparently the world
could value her sweet face enough to think
she merited publicity. But why
should beauty lead to adulation? How
could mere externals make somebody be
a star? Unbidden, stealthily she came
back into place: despite it all, she still
strikes the same chord. But older now, I know
that all along her strange attraction's lain
not in her figure, in her breasts or legs,
but in her wistfulness - a certain look
I can't define, something about her eyes,
the angle of her head and then that slow,
sad smile. Will any future audience
feel in this way about the girls I see
on billboards, busses and the evil eye
in all their artifice - synthetic stars
that tough their way across? I can't conceive
that they will ever stir the same response,
however sharply printed, glossy, slick
without those bad old prints to do the trick.


molineux
molineux
2 Followers
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LesseloovesPeterLesseloovesPeterover 10 years ago

Brought up good thoughts for me, comparing airbrushed models and autotuned music. People are coming to accept these plastic ideals as reality and hating themselves when they don't measure up. I'm always reminded of this story about 80s music, the synthesizer to be exact. I heard it so long ago I have no placement or source. But the story goes that when the synthesizer was invented, the makers thought it was better than instruments because it could remove the humanity from instruments, the breaths taken, the imperfections of the instrument that gave musica certain grainy feel. But tests on humans showed humans did not prefer perfect instruments, humans preferred music with humanity, leading to grunge and the rebirth of acoustic music in the 90s.

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