Silver Ch. 13-15

'If we don't end up killing each other this band has endless possibilities.'

- Richey Osgood, NME, 1989.

*

Having put in place the measures that would hopefully take the band forward into the Nineties, Richey took one further step towards conformity. The photographs that arrived in the post in August 1989 depicted Richey in a grey morning suit and the new Mrs Osgood radiant in a cream dress and tiara, stood in the doorway of a ramshackle chapel among a smattering of undistinguished witnesses. A brief note from Cass disclosed that they'd married three weeks earlier in Cancun and offered apologies for the lack of an invite – it had all happened rather suddenly. 'Ah'm re-lee glad Richey's found love at last,' Jan drooled.

'I'll give it a year,' frowned Nick with his usual cynicism. 'Richey finds monogamy harder than facing a crowd.'

Whilst Vaughn honed his newly discovered writing skills, 'Dead Pretty' was chosen for release. Earning plaudits in the press and its fair share of airplay, it entered the Charts at 33. In a landmark moment in October 1989, the Speeding Hearts lined up on Top of the Pops for the first time. Yet in spite of marriage and a resolution to kick the habit, these were hard times for Richey. Looking haggard and downbeat, it was, he later claimed, the effect of coming off the heroin.

Yet success being the indomitable incentive it was, when the band reappeared on the show a fortnight later, the song hovering just outside the Top Twenty, the old swagger was back. Eight years of hard toil was rewarded in a three-minute delivery of epic stature.

With Doug Perry's twanging, banging guitar, 'Diamond' Dave's dizzy melodies and Vaughn, the rock at the back holding it all together, the band had become the most cohesive unit since the early days. Yet it was Cass that stole the show – and the hearts. No disrespect to Kirk, but she played a mean bass, a thumping, bumping pulse that drove rather than rode with the song. Visually striking too, the freshly bleached blonde hair was worn in a sexy-looking bob, above a pair of panda eyes and bee-stung lips. A dark see-through body stocking revealed just a black bra beneath, complemented by a preposterously short leather skirt, fishnets and six-inch stilettos. That image alone seduced hordes of adolescent boys, translated into record sales when the peak of 15 was reached a week later.

A great platform from which to launch the promised onslaught on the music world, no one foresaw the events of New Year's Eve 1989 that would send the decade out with a bang. Assigned to cover the band's one-off gig at Glasgow's Barrowlands, Nick would rather have been elsewhere. On top of a long journey he could have done without, there was the added wrench of having to leave behind a young family during the festive season. Light snow falling like a burst pillowcase, he arrived at the venue with mixed feelings. Thankfully imbued with Hogmanay spirit, band and audience barely paused for breath throughout a two-hour tour de force that left even the most indifferent and embittered journalist impressed.

The snow having thickened, resigned to abandoning his frost-blighted car to the elements, Nick consented to join the party backstage. In the wake of the Kirk tragedy, Richey's recent nuptials and a spell in rehab, Richey deigned that alcohol was the only temptation on offer. Understandably, all had risen firmly to the challenge, countless crates of Grolsch disappearing within an hour, Richey's eyes as distant as their friendship. It was so cold that even the groupies were conspicuous by their absence.

Adjourning to a nearby hotel in the early hours, bemoaning the lack of recreational drugs and female company, the crew dispersed, leaving just Nick and the band in Richey and Cass' suite. Whilst Dave and Doug played pontoon to conquer the boredom, Vaughn immersed himself in television and Cass headed off to freshen up. With Richey having become incoherent, Nick was preparing to head off somewhere quieter. Cross-legged on the floor, Richey flipped open a bottle of Grolsch and forced it up into Nick's grasp. 'Did we rock tonight or what?'

Nick let the beer dissolve on his tongue, gazing into the bottle, its effervescence matching his frustration. 'Yeah, you rocked,' he conceded.

As Dave and Doug grew frustrated, the pack of cards was tossed in the air, falling in a paper blizzard, Richey's offer of more beer failing to satiate the restless mood. From somewhere a game of Truth or Dare was suggested and Richey nodded appreciatively, fingering a discarded bottle. Dave and Doug joined Nick overhanging the bed and Vaughn was cajoled in, taking up a position on the floor, leaning back on the bed.

As the bathroom door swung open, all eyes were drawn appreciatively to Cass, towelling her hair. The rock chick of earlier had shed the leather and denim of the stage and was now sporting a diaphanous pink kimono. Flopping down next to Richey, she popped open a Grolsch. 'No bullshit, right,' ordered Richey, taking the first spin. 'Anyone found to be lying will have me to deal with.'

The neck end came to rest, pointing accusingly at Nick. 'Mr Silver.'

Nick's request for a truth question was met with a rub of Richey's chin, followed by a sly smile. 'So, Nick, now that we're a successful fucking rock band, any regrets at walking out?'

'None at all,' shot back Nick immediately.

Richey raised his eyebrows but held his tongue, allowing Cass to take hold of the bottle and spin. It indicated towards her husband. 'Fire away my little firecracker...um, truth.'

She pondered. 'Okay, tell me how many women you've slept with.'

'Jeez,' he exclaimed, mind ticking over.

'To the nearest thousand will be fine,' said Doug with a grin.

'Slept with, yeah?' Richey clarified, before replying: 'Fifteen, twenty maybe.'

'You said no bullshit,' protested Doug.

'Err, hang on,' continued Richey. 'Slept with, she asked, S-L-E-P-T with.'

'You know what she meant.'

'Excuse me Douglas but I answered the question truthfully: I've slept with twenty women. Okay Vaughn, your turn.'

Vaughn rotated the bottle and once more it pointed Richey's way. 'This bottle's fucking loaded...truth.'

'So?' prompted Vaughn. 'How many woman – every sexual encounter?'

Richey raised his hands. 'I don't know. I was off me face most of the time...250?'

'Is that before or after you got married?' Doug quipped, causing Richey's lip to curl.

Donnelly's turn, the keyboard player stretched for the bottle with his gem laden digits. The neck came to rest before Vaughn. 'Dare,' confirmed the drummer.

'That's more like it,' Richey enthused.

Fingering his goatee, Donnelly stood to pace the room. Stopping at the window, he scraped away the cold mist, the television continuing to babble close by. 'Roight, get rid of that fucking TV – out the fucking window, rockstar style.'

Vaughn staggered to his feet, hoisting the bulky television set above his head. Legs threatening to buckle beneath him, the drummer zigzagged to the window, resembling a struggling weightlifter. A heavy crash caused the others to turn to witness the television bounce off the glass and back onto Vaughn with a muffled thud. 'Fucking hell!' exclaimed Richey. 'This frigging hotel is rockstar proof.'

Vaughn was knocked out cold.

'Jesus!' cried Cass, scrambling to her feet. 'Someone do something. Call an ambulance.'

Vaughn was prone, his breathing erratic, a gaping wound running from ear to chin, the trickle of blood growing to a pool. 'He's a big boy, he'll be all right,' dismissed Richey. 'Come on Dougie, your turn.'

'Stop that stupid fucking game!' Cass shrieked. 'This is your fault, Dave, do something.'

As Donnelly clambered for the phone, Nick wanted to offer assistance but found that he was unable, the drink having numbed his brain, leaving behind only a vague awareness of what was going on. Doug's spun bottle came to a halt before Richey, the two men's eyes locking confrontationally. 'Okay Richey,' scowled Doug, 'why don't you want to play any of my songs?'

'Will you two stop it,' ordered Cass as she tended to Vaughn, his breath ebbing and flowing.

'An ambulance is on its way,' confirmed Donnelly anxiously.

Ignoring the others, Richey prodded a finger at Doug. 'Why don't we play any of your songs?'

He clambered to his feet, Doug on the bed, rising to his knees so they were face to face, Doug's quiff brushing Richey's brow. 'We don't play any of your songs because they're all bollocks!' Richey cried, taking hold of the bottle and waving it in Doug's face. 'And how about I ask you something, Dougie boy? How long have you been screwing my wife?'

The room stopped, slipping into slow motion mode, even Vaughn seemingly taking note as he stirred briefly. There was a panicked scream from Cass as she fled the suite. Doug went in pursuit but was unceremoniously halted when Richey stuck out a leg, upending him. A scuffle broke out in the open doorway, bodies rocking one way then the other. When the grappling had finally ended, Richey was on top. Reaching inside a trouser pocket, he removed a penknife, holding the blade to Doug's throat. 'You're gonna pay – both of you...'

As slowly the gravity of the situation permeated his fuzzy senses, Nick's mouth lolled open. Rigidified by the alcohol, however, he remained rooted and useless to act as Richey called out of the open door: 'You fucking slut!'

'Dave,' spluttered Doug as the knife scored a thin line of red on his neck. 'Help me.'

Donnelly looked around, grabbing hold of the first thing his eyes rested upon, a heavy glass ashtray. Standing over the pair as Doug's eyes rolled like a fruit machine, Donnelly swung, a dull thud, followed by a grunt as the singer rocked, tumbling to the floor, holding the back of his head.

From his position on the bed, Nick observed open-mouthed. He was still in a similar state hours later in the hospital. It required cold morning and several vending machine cups of coffee to shake him back to his senses, vague reminders of the night's drama arriving like disjointed trailers from a film.

With no serious damage other than a few bruised rock star egos Richey was released hours later, a bandage covering the superficial wound near his ear. Vaughn was kept in for observation, though discharged himself the following day.

When the dust settled, possibly the best line-up ever assembled was torn apart, all but Vaughn sacked, including manager Ted. Sadly also, Nick's prophecy was fulfilled, the marriage lasting less time than it took Richey to get back on the smack.

* * *

As a lull descended upon the bar, Spencer and Lee appeared once more from upstairs, their bottles empty. Richey stood. 'What have I told you two?' he mouthed, an audible trace of annoyance. 'Stay in your room.'

'Just half an hour,' implored Spencer. 'It's boring up there. We'll do double rehearsal tomorrow.'

'Please Richey,' begged Lee.

Richey exhaled but relented, allowing the pair to bring their bottles into the coven. 'Where's Kelly?' enquired Lee.

As guilty looks ran around the group, the words caused Nick to worry more than most. If anything happened it would be on his conscience. Bringing her along had been a huge mistake. Having spent more than enough time in the past babysitting his own kids, he could do without this. His mind was a mesh of pessimistic thoughts: the disappointment of Ted's news, a continued lack of word from home and now Kelly.

'Lovely girrrl, Kelly' slurred Pete, his head angling towards Monica, the pretty sister's shoulder, 'but not assssh lovely assssh you.'

Monica retracted, pulling a face at Pete's drunken antics.

Standing a little shakily, Matt offered to go look for Kelly, the idealist in him considering that if anyone could salvage the situation, he could. As he headed outside via the back door, the others returned to their bottles like newborn babies seeking comfort.

Long shadows stretched down the walls in the moody half-lit ambience sculpted by Richey and a chill caused the hairs on Matt's arms to stand on end. Following an agile leap over the low wall at the back of the beer garden, he wandered for half a mile in an upward curve, calling Kelly's name every few seconds. The sky turning ever darker, he puffed as the incline kicked in.

The hooves of the giant horse coming into range, the sky grew fierce with the whirring of propeller blades. A short distance ahead, a girl whose silhouette matched Kelly's threw her arms in a crucifix pose before falling to the ground. Above, the din grew more deafening, searchlights spilling to the grass in golden puddles. Picking up speed, Matt arrived upon the scene at the same time as one of the choppers came to hover ten feet from the ground, scattering loose chalk debris. Completing the descent, its blades slowed and two black figures appeared through the glare. 'Remain still – do not move,' the order rang out, the figures getting ever closer, torch beams dancing.

Recognising Matt in the half dark, Kelly ignored the order, rising and flinging herself into his arms. 'What's happening?' he shouted into her ear.

Kelly shook her head uncomprehendingly, the foot patrol continuing to bark orders, the shape of guns in their hands visible. Appraising the situation, quickly Matt let go of Kelly, raising his hands above his head like he ought to. Kelly did likewise, the torch blinding, all else around them obliterated. 'Stay there, do not move,' came the repeated order.

Straining at the glare, Matt moved his hand to his brow, the intruders close at hand. The voice in an authoritative monotone enquired what they were doing out here, to which Matt volunteered: 'We're journalists, staying at the pub...with Richey Osgood.'

There was a pause as the officer processed the information.

'What's this about?' entreated Matt.

The words came slow and deliberate. 'Have you...have you seen anyone else...out here tonight?'

'Anyone else?' enquired Kelly, finding her voice.

'A woman...about thirty years of age...'

Kelly shook her head.

'You should get back inside,' suggested one of the officers.

Kelly nodded vigorously, though Matt was less easily ordered around. 'What's all this about?'

The officer shooed them down the hill, elucidating on the way. 'A female prisoner went on the run earlier – believed to be heading this way.'

'Heading to this godforsaken place?' Matt exclaimed, feeling Kelly's body tighten against his, wrapping her fingers in his like an infant schoolchild to a teacher as the lights of the pub grew ever larger.

As the officers moved ahead, Kelly pulled up sharply, Matt's arm straining at the socket. 'Thank you for coming to rescue me, Matt.'

Seizing the moment, she pinned him against the outhouse wall, before thrusting her lips to his. Strong arms eased her away. 'Kelly, what the...?' he protested, wiping his screwed up face.

Kelly held her hands aloft in a show of contrition and surprise. 'Matt, I'm sorry, I...I...'

The handsome journalist was spluttering like she'd injected him with poison.

'Matt, what's wrong? I, um, I thought you...'

'It's okay. Just leave it, yeah,' Matt replied, regaining his composure.

'But I thought...I thought you liked me, I thought that's why you came to find me.'

Matt had feared this would happen. He knew he shouldn't have allowed himself to be drawn into such a compromising position, one from which it was almost impossible to untangle himself without trampling on the girl's feelings.

'You're...you're just like the others, aren't you? I bet you were all in there laughing behind my back. What happened – did you draw the short straw?'

Matt felt the resolve drain away. Yes, he'd known this would happen.

Inside the pub, a loud knock at the back door caused everyone to startle. 'What the fuck was that?' cried Lindsey, hand held to her heart.

Nick walked through to the back bar, raking aside the curtain, a series of lights casting strobes across the dusk. 'It's the police...'

Monica was quick to rise, fleeing in the direction of the toilet, the urgent sound of flushing water echoing back down the hall as the others caught exaggerated breaths of sobriety. Richey shot a glance at Spencer and Lee and they too disappeared. Two officers in wraparound fluorescent yellow jackets walked inside. 'Sorry about this, sir,' the first officer stated.

'Come on through,' Richey mumbled. 'A bit of a quite night so I closed up early,' he added guiltily, leading the officers into the back bar.

Shortly after, Matt and Kelly arrived inside, what should have been a dramatic entrance somehow subdued. Matt took a breath before announcing: 'Look who I've found.'

Kelly reddened and protested: 'I only went for a walk.'

Her eyes took in the female newcomers she recognised as two-thirds of Devilicious.

Ten minutes later Richey emerged, the officers heading off into the night with the words: 'So, Mr Osgood, we'll leave a unit outside for a day or two...just in case. And if you should hear anything...'

Dodging the interrogation, Richey peered into the jukebox for inspiration, something to help ease the tension. Suddenly the Speeding Hearts' 'Winning Smile' filled the room, inducing wry smiles all round.

Fourteen

'It wasn't easy picking myself up from that. Losing a wife's one thing, but a band as well...'

- Richey Osgood, Melody Maker, 1990.

Murmurs circulated after the sacking of the Glasgow Three that Richey's career was finished, that even he couldn't survive that kind of wrench. With the eagerly awaited third LP written and ready to be recorded, he could have kept the band together, gone into the studio with a muzzle and cashed in. Yet even Richey, as hungry for success as he was, couldn't bring himself to look at Cass, let alone work with her, whilst Doug and Dave had not only betrayed him but inflicted physical harm. For once, he was happy to defer success for peace of mind, whilst canvassing a new line-up.

In March 1990 a new bass player, ex-Thunder Crack Spike Sanders, was brought in to replace Cass. A fortnight later, Richey's cousin Mitch Farrell was installed as the new lead guitarist. Employed seemingly on his looks and Stone Roses' hairstyle above musical ability, Farrell was of unknown pedigree. Richey himself adopted keyboard duties and, when the ever-reliable Vaughn was ready to resume drumming, the band took aim for the big time once more. As a final measure, Richey's sister Susie was drafted in to take care of the management side of things, her first coup being to get the band signed to Virgin.

A short series of live dates was undertaken in April to showcase the new line-up, after which the third LP could finally be recorded. Preceding its release the first fruit of Vaughn's pen, a tribute to Kirk entitled 'Tiptoeing on Glass', was put out as a single:

'Sprawling through mists of morning, falling through rings of fire,

Calling in echoed haunting, crawling through flowers,

From the very first breath to the very last heartbeat of death,

Walking on eggshell and tiptoeing on glass.'

A slow burning anthem with a strong hook, it would become the band's biggest hit to date, after a month of solid climbing saw it peak at 12. Marked by another couple of appearances on Top of the Pops, it was evident that they'd gelled quickly and effortlessly as a band. The ghosts of the past exorcised as Spike fitted seamlessly into the Cass role, albeit without the allure, his years of experience, providing the heartbeat of the band. Not that the band was totally devoid of sex appeal, the enigmatic young Mitch helping to bring in a legion of younger female fans. Vying for the female attention with the newly single Richey, the pair postured before the camera like constipated roosters. Dependable as ever, especially in the face of adversity, a proud Vaughn stared bug-eyed from the back as one of his songs illuminated the stage for the first time.