The Year is 2132 Ch. 02

Steev KNOWS he will love this world. It is definitely a man's world.

The girl's lie on their sides with their faces between the other's thighs and wait for Steev's signal to begin. When he says 'now', their mouth and tongue action is frantic. Steve cannot keep up with their movements, so he just sits back and waits. Within a matter of minutes, Sera squeals and rolls away from her sister. Her ejaculation arches high in the air and falls back onto the bed. It is now soaked with their juices.

Sera has lost her own game, however she is so overcome with sexual satiation that she doesn't comment when Keri attacks Steev. She pushes him onto his back and straddles his loins. She rises up, inserts Steev's very hard penis into her very wet vagina and sits down on it. Steev feels her hymen rupture and the girl begins to move rapidly up and down on his member. She has been close to orgasm from her sister's frenetic tongue and almost immediately explodes. Her ejaculation also arches up and goes over Steev's chest, face, and hair. The bed is soaked again. Keri is spent, but she continues a slow 'pole' dance up and down, as she struggles to contain the physical pleasure and emotions that threaten to overwhelm her senses. She looks down at Steev's wet face and declares, "I'm a woman, now." Steev makes a mental note not to call her 'child' any more.

"Steev has not ejaculated and his penis is still erect, but Sera is still coiled in a fetal position. While Keri lies back on the wet bed and luxuriates in her newly established womanhood, Steev strokes Sera's hair and asks her to tell him when she's ready. She says she IS ready, but she can't seem to uncoil from the position her sister's tongue has induced and left her.

She finally unwinds and shakily straddles Steev as Keri had done. When she sits down on Steev's penis and her hymen tears, she goes into multiple orgasms until she pleads with Steev to make them stop. She passes out and falls forward onto Steev's chest. He can feel her vagina squeezing his penis convulsively as she continues orgasming although she is unconscious. Steev holds her and rolls over until they are on their sides. Gently, he withdraws from her still grasping genitals. He lays her back on the bed and kisses her tear-streaked face. He tells her, "You really are a woman." She is still in a faint and only hears his murmur, not his words. She breathes deeply and falls into a deep sleep.

Keri goes to her sister, lies on top of her, and she, too, goes to sleep. Steev moves to a drier area of the bed; and he falls asleep. He hasn't ejaculated, but he is sated. As he falls asleep, his chest aches with love for these two girls, er, women.

Steve wakes the next morning to Keri's tongue licking her and her sister's blood from his penis and loins. When he's clean, she moves to her sister and gently licks away the blood from her pubes. She probes into Sera's vagina and loosens any blood, dried or wet, and sucks it out. She looks at her own bloody loins and wonders how she can get them clean. She would like to be able to lick herself, but she laughs and waits until Sera wakes. Sera is groggy, but dutifully cleans the blood from Keri's genitals, inside and out. The two women lie back on the still wet bet and hold each other, still basking in a post-coital glow. They look at Steev and smile wanly. Sera would like to ask him if he has to pee, but she doesn't have the strength. They go back to sleep again.

Steev absolutely loves this world. It IS a fantasy life come true.

It takes Steev four days to assemble the vehicle he wants and another day to tweak it and try it out. It is in the form of a cage like a dune buggy, but it doesn't have an engine. Instead, the pedals are connected to a gear system that turns the wheels. It won't go much faster than a horse can walk, but he believes he's made a break through. If he can gear it to go just a little faster, he thinks it will replace the horse for transportation. At least, a citizen won't have to maintain a stable to feed and shelter a horse. There will be no need for a vet, a saddle, a groom, etc. He is very anxious to show it off to Claude.

He also wants Cherl, his consorts, and the rest of the household to see what he has accomplished. He is like a little boy with a brand new bicycle. Actually, the buggy is like side-by-side tandem bicycles in some respects. Maybe he should have built a bicycle instead of this contraption. Well, it's too late. He drives the buggy from the warehouse, where he built it, to the front door of Claude's house. He knocks on the door and Claude's manservant, Paul, opens it, and Steev shows him the buggy. Paul is intrigued but wonders what it is and what it's for. He invites Paul to sit in the buggy and explains what to do with the pedals. After a few shaky starts, they are able to race the buggy around the area in front of the house. They go faster and faster until they are both laughing hysterically.

They hear Claude yelling at them to stop, so he can look over the contraption. When they finally pull up to Claude and stop, Paul is embarrassed at his display and hurriedly enters the house.

"What in Zeus' name is this and where did you get it?" Claude demands.

When Steev can stop laughing, he explains how he made it, and why it may replace the horse. "Get in, Claude, we'll take it for a spin around the block." They start out slowly, but Claude gets the hang of it and off they go. Claude is seeing gold again.

"Well, Steev, it may sell, but I think only nobles will buy it. I can't see a broad market."

"Let's wait and see. In the meantime, we can use this prototype to get to and from the warehouse and my trade goods pick up point. I'm going to call that spot the "Park Plaza" from now on. Wait 'til you see what else I have for our venture. I'll bring it back tomorrow."

"Steev, why are there four seats with pedals? Will all who ride in this have to pedal to make it go? No one has to work in a wagon drawn by horses. The chariot I ordered for Zhanet requires six horses but no one will have to put out any effort. I think this is only good for a novelty. As I said, only nobles will buy it. It's like a big toy."

"It's a matter of weight. The more weight, the more effort it takes to make it go. And, yes, now it is a toy, but I plan to work on it until it's more than that."

One of Milla's sister musicians approaches Cherl and asks her if she might make a request. Cherl says she may and the girl hems and haws. Cherl tells her to speak up; that she won't bite her head off.

"Well, Zhanet says she will let us lick her if we give you information about the academy when you don't understand something. I was wondering if there is something specific that you might want to know. I've only tasted Zhanet once, and I'd like to do it again. Um, um, I'd like to taste you, too. I want to know what foreign people taste like. Oooh, have I gone too far? Are you angry?"

Cherl is speechless. These girls are from outer space. No, she is from outer space. The girls here have just been trained and brainwashed to want to eat pussy. They have been exposed to this idea steadily for a year and believe it is natural and normal. She believes strongly in Steev's theory that they have been brought to a place that mirrors their needs and desires.

This place IS a lesbian's fantasy come true. She can't stop thinking that. It was made for her in particular.

"No, honey. I'm not angry and you haven't gone too far. Just make an appointment with my social secretary to pencil you in. She can set a date for you to eat me out, and I'll have my people contact your people."

"I'm sorry, Miss. I don't understand what you mean."

"Oh, sweet, I'm sorry. I was joking out loud. Would you like to share my bed tonight?"

"I'm ashamed, Miss. I have been too forward. Forgive me. I deserve your sarcasm."

"No, no. I was serious. Please come to my quarters this evening, and we can play some music together."

"Do I understand that you would like me to bring a musical instrument with me?"

"Oh, no. Just bring your beautiful body. That's the instrument I want to play with and play on."

"Thank you, Miss. You won't be sorry. I received praise for my ability to please and I am tireless. How soon may I come to you? I'm anxious to be with you. When?"

"You are a brash, little minx. Let's say at sundown. Will that suit you?"

"At sundown, yes. I shall be thinking up ways to please you. Until then, I had best go and see if I can be of use to my sisters." She strides off and Cherl watches her bottom as she goes. It looks like "two wildcats fighting in a pillowcase". Now, Cherl can't wait.

Steev is lying on his back while Sera is straddling his loins with his penis in her vagina. She is slowly moving up and down teasing him. Her vaginal muscles are squeezing him rhythmically and his heart is beating very fast. He would like to have sex with Keri, too, but he doesn't think he can hold out much longer. Sera must sense this because she slides up and off him and motions for Keri to take her place.

Keri impales herself on his shaft; she doesn't move, but she grips his penis and, like Sera, she begins a rhythmic, pulsing action. Steev is about to come when suddenly it is Keri who orgasms; her orgasm triggers his and he ejaculates inside her. She continues milking him until he is empty physically and emotionally. He feels like he has been fired off like a rocket. When he falls back to earth, Keri is licking him clean and Sera is licking Keri clean. He is exhausted. They have been playing this game for almost two hours and all Steev wants to do now is ease off into sleep. The two young women sandwich him, rubbing their nubile young bodies against him. He pleads for mercy; they giggle and all three fall asleep.

The young musician, Delia, is waiting at the door of Cherl's quarters when she arrives shortly before sundown. Cherl thinks that if the girl is that anxious to be in her bed, that this will be a fun time. They enter and Delia's chiton slides to the floor. She turns slowly so that Cherl can see her entire body; then she kneels in front of the older woman and presses her face into Cherl's crotch. She breathes in deeply, savoring Cherl's scent, and then lifts the hem of Cherl's chiton up and presses her face into Cherl's bare pubes. Again, she breathes in deeply, but doesn't stop at once. She rubs her face into Cherl's genitals and continues the deep breath intakes that draws the woman's aroma into her nostrils. Finally, Cherl reaches down and lifts the girl to her feet. She takes Delia by the hand and leads her to the bed.

Cherl runs her hands over Delia's flesh reveling in the delicious texture: foam rubber soft and satin smooth. She squeezes the girl's breasts as if checking for resiliency. Cherl lowers her head and gently bites a pink nipple; she has a strong urge to bite much harder but resists the urge and sucks in more of the pneumatic flesh and then bites down hard. Delia puts her arms around Cherl's neck and pulls her closer trying to get more of her breast into Cherl's mouth. Cherl feels her blood pressure soar; stops biting the delicious flesh; and allows it to slip from her mouth creating a slurping sound. Delia moans and pulls Cherl's face back against her breasts again. Cherl can smell Delia's arousal and slips her hand between the girl's legs. She finds that Delia has orgasmed and ejaculated already.

She thinks that if biting the girl's tit hard can make her come, what will happen when they really start to fuck? She intends to find out. Delia is limp and Cherl becomes alarmed until the girl shakes her head and clears away the sexual cobwebs. Delia lets go of Cherl's neck and looks in her eyes. "Please," she pleads, "please may I taste you now?" Unable to do more than nod, Cherl falls back on the bed and spreads her legs to give Delia as much access to her pussy as she can.

Cherl's juices are flowing steadily now and Delia must suck her until she can insert her tongue without pumping out those juices onto the dry bed. Delia probes deeply into the woman's vagina and licks out the thicker, syrupy secretions that she has been seeking.

After eating her fill, she sets up a push-pull piston like movement with her long tongue, as she has been trained to do during the Pleasure Time to mimic a man's penis during intercourse. On the outstroke, she is careful to drag her tongue along the ribbed area at the roof of Cherl's vagina.

When her G-Spot is stimulated in this way, it will cause Cherl to ejaculate a clear fluid from her urethra and this is what Delia is attempting to effect. When she feels Cherl's muscles squeeze and tense, she knows the woman is ready to ejaculate. Cherl's vaginal muscles have gripped Delia's tongue so tightly that she can't continue the in-out movement. She withdraws her tongue, covers Cherl's vaginal opening with her mouth, and licks up through Cherl's labia and over her clitoris. Cherl explodes and ejaculates straight into Delia's mouth. Delia's tongue is pressing against Cherl's clitoris and the powerful stream is deflected from hitting the back of the girl's throat and gagging her. She swallows the fluid and returns her tongue deeply inside Cherl's canal. She keeps the tongue pressure constant until Cherl completes a long drawn out orgasm and her throbbing subsides.

When Delia finally takes her tongue out of Cherl's vagina, the woman shudders and then lies still. She has never experienced an orgasm like this before and is in a state of shock. She had planned to eat Delia's pussy until the girl was sated, but she has no strength left and just lies there trying to recuperate.

Delia asks her if she is finished coming and Cherl manages to whisper, "Yes, I am finished." Not exactly what Delia meant when she asked the question. She crawls up beside Cherl and kisses her cheek. She asks Cherl if she found her adequate and Cherl can only chuckle. The last thing Cherl thinks before drifting into a deep sleep is, "A lesbian's Utopia."

Cherl wakens in the morning to Delia sliding between her legs. She spreads her legs and Delia pulls Cherl's labia exposing her urethral opening. She presses her mouth against the woman's vagina. Cherl doesn't think twice. She relaxes her muscles and lets her urine pour into Delia's mouth. When Delia rises and leaves, Cherl tries to go back to sleep, but her mind is racing and she revisits the crashing orgasm she had the night before. Eventually, she pushes it from her mind, rises, dresses, and goes looking for Steev. She wishes she could convey to him what she had experienced under Delia's ministrations, but words would be inadequate.

She realizes that she hadn't asked Delia a question about her training during the Pleasure Time, and Delia won't get to lick Zhanet's pussy. She wonders if Delia would consider 'tasting' Cherl a good substitute for Zhanet's promise of a 'treat'.

"Yes, I know you want to go to the city, Cherl, and you, Steev; however, I'm not sure you're ready. I've been putting it off until there's no way to discourage you. You've only seen this estate and have been exposed only to the people here. This is an oasis in an extremely hostile atmosphere. This world is brutal. You will be shocked at what you'll find elsewhere. Please reconsider and remain ignorant of the cruelty you will definitely find if you venture outward."

"I have not the faintest idea of what you mean, Claude; however, Cherl is anxious to get a woman to serve her, and I want to see what this place could use or be replaced with. If I knew, I could design a lot more merchandise for us to sell. You are used to the materiel that is available and probably can't envision the possibilities that I can. Forgive me, I don't mean to belittle your business abilities, but as an engineer, I can foresee what you can't. I have knowledge of technology that no one else in this country has.

What of the Academy, Claude? That sounds like a very civilized place. The city can't be all bad. Agree to this: take us into the city for one day. Let Cherl buy a woman. Let me check out the technology and materials that do exist. If the city is offensive, as you say it is, we won't go back."

"Well, if I can't change your mind, I suppose it'll have to be. I know you feel penned in here and are restless. You must want to broaden your scope, and I shouldn't try to hold you back."

Claude thought for a moment. "All right, one day. But don't blame me if you are offended by what you find. I will have my male servants go with us to see that nothing untoward happens to Cherl and you. We will go once, but I won't be responsible for another time."

The next morning, Claude, Steev, Cherl, and four male servants travel by horse and wagon to the city six miles away. The first thing that Steev sees is a broad complex of buildings and enclosed areas over many acres. At first, he thinks that is the city, but Claude explains that it is the Academy, the server mart, the slave mart, a small arena, and a large number of quarters. The city lies a mile further on.

As they approach the gates to the complex, they are stopped by Roman soldiers and asked for identification. Claude shows them his signet ring and they salute him and allow him to enter. When the wagon drives up to the portals of the Academy and Claude enters. When he returns, he tells them that the main gates will open in ten minutes and the server and slave marts will also open at that time. They can't make a purchase until then.

As they wait, a dozen Roman citizens begin to file in. Claude recognizes several of them and speaks to them. They are here to buy servers and slaves, too.

Cherl notices three nude women standing near the gate; they appear to be ill. A fourth, a younger woman seemed to be holding up one of the others. When she asked Claude about them, he said they were either criminals or debtors being executed. Cherl is curious and walks over to them. She is shocked. They are standing above stakes about two inches in diameter that have been inserted into their vaginas.

When she tries to get closer, a Centurion steps in front of her and asks why she's approaching the prisoners. Claude appears and tells the officer that she is his guest and shows his signet ring. The Centurion salutes him and steps back.

As Cherl nears, the younger woman who is clothed turns, and in a choked up voice, she pleads, "Please, Sir, Ma'am, help me. This is my mother and without help she'll die horribly."

Claude asks the Centurion why the woman has been condemned to die. He is told that the woman was begging and offering herself for sale. Her husband had been a Roman soldier killed in battle; she is his wife and has been left without income because the soldier wasn't invested; he had been in service only five years. The widow and daughter were evicted from their home for debt. She has not been condemned to death but sentenced to thirty-six hours on the stake. When Claude asks him if anyone has survived a thirty-six hour sentence, the Centurion says no; they usually pass out or their legs cramp from standing for many hours and they slide down on the stake and perish. The younger woman pleads for them to save her mother.

They are joined by Steev who has been listening to the discussion. He asks if there is any way for the woman to be freed. The officer tells him that the only ways would be for someone to take her place or pay her debts. The young woman begs them to do whatever they can. She tells them that she and her mother are destitute and cannot raise the money they owe for food and lodging.

Cherl has been eyeing the young woman and whispers to Steev that she wants this girl. Steev reminds her that they haven't even been in the server mart to see the women who are for sale. He suggests that she wait and see who else is available. He reminds her that the Academy women are educated and trained to be good sex partners. Cherl is stubborn and she wants this girl. She has made up her mind. When they ask the Centurion if the girl is a server or a slave, he says no; that she is a free citizen. Steev thinks that will stop Cherl but she is all the more determined to own the girl.