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I remember this tidy poem from somewhere else, GP. I liked it then and now, particularly the conrasting ways the reader can interpret it. Is the man as distraught at leaving as the woman is? Why isn't he at the window as she walks, then runs at a slowly accelerating train? "Slip," "sped," and "snap" convey so many things.
Perfectly
enigmatic. So few words, such a lot of story. Really terrific.
~
So poignant in so few words, the sign of a very good poet.
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