Sepia

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Occasionally the mist lifts
from the middle past and we can see
severe gray ships come slowly drifting

past the shallows, slower past the jetty -
the reef far back to sea a stroke, off-white -
and on to meet the ghostly group

of waiting people, sporting spats, umbrellas,
and wearing topees and moustaches, twirling canes.
Then there’s the trees behind a sheet of rain,

stately, tall; a native couple
stands back behind the cold grey eyes
of white authority, a fleeting smile

to light their faces till again the mist
blots it all out: just trees and natives stay
there to endure while strangers fade away.

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12 Comments
ishtatishtatover 11 years ago
Excellent 5+

This is the best poem of yours that I have read. Nothing to add to comments already expressed particularly by the mountaineer.

But I didn't see this as a particular photograph as some did, more a way of looking at the past.

buttersbuttersover 11 years ago

this works so well as a spoken piece. though the title suggests photograph, the words you've used, textured, layering, suggestion of movement, feels more the description of a painting as has already been mentioned. makes me wonder if 'sepia' could refer to a skin colour, a blending of that white authority and the enduring natives left to cope after the cold gray ships have departed.

a pleasure to read such skilful use of language.

AngelineAngelineover 11 years ago
Really beautiful

You've captured another time and presented it in ghostly wisps. Love how it fades in and out. Very haunting and just slightly spooky.

DawnJDawnJover 11 years ago
"A Stroke, Off-White"...

This is very much a painted image, isn't it, Demure? The "mists of time" have white-washed reality, or else it's an old painting, aged by time, and thereby softened. Even with the deliberate word choices that indicate a painful truth, the mists paint over the pain, almost, and allow the strangers to "fade away". As if the artist has painted them out of the picture with "a stroke, off-white"... Very clever, Demure!

tazz317tazz317over 11 years ago
#2 THE AUTHOR, AND HIS ENVIRONMENT

living in these times and global accesses. TK U MLJ LV NV

tazz317tazz317over 11 years ago
NOTING THE NAME OF THIS POEM

I detect apartheid as its theme....A fine white season comes to mind. TK U MLJ LV NV

HarryHillHarryHillover 11 years ago
Had to comment

Your many writes containing waterside related environments are very comforting and peacefull for me. Occasionally they strike a deeper chord, as this one did.

DesejoDesejoover 11 years ago
I love this one.

What's interesting to me about it is that it could apply to so many places.This is a poem I'd like to talk about in one of those places with a group of people- there is a lot packed in it. The "trees behind the sheet of rain" is strange. Just not sure what that means. I think this is one of my favorites of yours.

twelveoonetwelveooneover 11 years ago
5ed

i like the procession of colour, or assumed colour

the mist, severe gray, off-white, ghostly

a wave breaking here

stands back behind the cold grey eyes of white authority,

nice!! so nice i'll forget

the cold grey eyes of white authority

highly excusable in this case

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