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Click hereIdly, she glanced down at the wad of business cards and scrawled phone-numbers still clutched in her clammy grip. She'd never look at the art world the same after tonight either. Still, the performance seemed to have opened a great many doors, if she decided she wanted to go through them.
"We'll see, hermana...," she said slowly, in belated answer to Camile's question. "I need to sleep on it. But right now, I have the crazy notion I ought to organize an original production. You know, really make a splash--in my own name this time. But I'd need your help to design it. I'm thinking it might be called La Venganza..."
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- COMMENTS
mirafridaabout 1 year agoAuthorThank you Grendelpuppy and anonymous readers! Yes, I like pregnancy risk situations a lot - mostly because of how it juices the emotional stakes. It has to fit the overall situation, though. In this particular case, it felt better to leave the option open, but not to lean into it heavily, just because of who Isabel is and her specific circumstances.
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Regarding Isabel's overall motivations, it's true that she was, in effect, "gold digging" at the beginning of the story - but I think she sort of fell into it by accident, not from a place of intentionality. She was frustrated and flailing in her life, and persuaded herself she loved Pedro ('enough' anyway). Ultimately, of course, she wouldn't have been happy living with him and his money. In that sense, Cataquil 'saved her' from a serious error.
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I'm not a very ideological person myself. I do very much get a kick out of female performance-artists or protestors of any persuasion who use public nudity to draw attention. That's really the impulse that drove this story. I wanted to create a situation where a woman was pressured into reluctantly taking part in such a spectacle, and then taking it even further. The whole "retaliation for colonialism" emerged as a way to give a sheen of vague plausibility to it, and over time I came to think of it as an amusing, over-the-top parody of a certain kind of mindset. But the ideology really wasn't the point (and one could say the same for Winner Takes Hoe or Twenty-Three or Russian Devil, etc.). I'm mostly trying to create indecent scenarios that I find arousing, interesting, and emotionally charged, with characters I find engaging - but usually still with a bit of tongue in cheek.
Grendelpuppyabout 1 year agoI think that Isabel really was with Pedro because she was a bit of a Gold Digger. You made the point that at the beginning of the story, she presumed that her acting career was over. At the end of the story, all of the theater critics and intelligentsia whose approval she craved were congratulating her on her brilliant performance.
The basic premise of the play is certainly consistent with the Critical Race Theory and ANTIFA philosophy that is provoking so much conflict in the United States. Interestingly; most people in Latin America have a New World X-chromosome and a European Y chromosome, so the theatrical rape is a reasonably accurate reflection of reality. Some of the South American countries aggressively recruited European immigrants to bolster the demographic position of their pure blood European oligarchs. The US might end up becoming another Haiti or Rwanda. The only plausible alternative is almost as bad.
Grendelpuppyabout 1 year agoFantastic.
You share my pregnancy risk fetish.
I'd love to get your feedback on my stories.
