Letters from a Friend in Paris 02

LETTER II

To really emit is to spoil the thing. Of course, such a scene as I had under my eyes in photographing the secret charms of dear Louisa threw all my philosophy to the winds and, as soon as I was alone, I could not refrain from frigging myself until a copious discharge relieved me from my extreme excitement. I also confess that once, I became so awfully hard when reading Petronius, where the tutor seduces his beautiful pupil after dinner when the governor is asleep, that the exquisite lubricity of the description, and the exciting way that he worked her up to his purpose, so overcame me that I unbuttoned my breeches and could not help indulging in a delicious emission brought on rapidly by a few energetic rubbings of my throbbing organ. And in either of these cases you, my foolish critic, would have done just the same. But, joking apart, and notwithstanding occasional slips, I am completely opposed, on every ground, to this weakening and really insipid vice, so ruinous, too, to the constitution and power of enjoyment that lies in the real union of the sexes.

However, to return to my story, just let me tell you what happened when Tom, that very afternoon, saw the glorious photograph of Louisa.

First, I must recount what I should have told you in my last letter, had not the relation of the scene so overcome me that I could not go on, but was obliged to relieve my bursting sensations as described. To return, after taking the photograph, we sat down together on the sofa, and the dear girl, in all the confidence of innocence and of trust in me, threw her arms around my neck and gave me a long and loving kiss. Despite that addition to the fuel that had already set my passions on fire, I managed to constrain any outward demonstration, wishing to win her entire and unrestrained confidence in me so that I should become, as it were, her father confessor, to whom she could open out all the secrets of her most inward thoughts and I fully succeeded. We had a long conversation about the most private character. I found laid open to me the mind of a girl (or rather woman) of a most imaginative and amorous tendency, exhibiting intense curiosity regarding the differences and the relations between the sexes. She was, however, appears almost innocent of the great sensation.

After I had satisfied her curiosity about the sexes and their mutual desires and modes of gratifying them, both in couples and alone, she confessed that a strange thrill had passed through her when she saw the nudities in our public collections, and that, after being alone for a few moments before a fine young Antinous in the Louvre she had been so affected that she went up to her room after dinner, fastened the door and looked at her uncovered person, in exactly the way I had placed her before the cheval glass, from her own easy-chair. She put her hand down and pressed it on her exciting secret parts, and tried to insert a finger, but it hurt her. She pushed it in further and found it pressed upon something hard that gave her a most extraordinary and almost overpowering sensation. She thought she was going to faint but was suddenly relieved and found all her parts quite wet. She was greatly alarmed and frightened at this, and thought she must have somehow injured herself, and had not dared to mention it to anyone at home. She now wanted to know from me how this could have happened. I fully explained all.

'But, can the Antinous go... go into...,' she stammered, 'into... you know where I mean?'

I told her that excitement makes it swell up and become stiff and straight and explained that, if moved up and down inside her own part, it would produce boundless rapture. The whole matter was clearly set before her, and I told her that the new photograph would give dear Tom a kind of relief to his great excitement, which must be somehow allayed. The upshot of all this was my promising to photograph Tom for her. But she added, hesitantly,

'You know he must be-what do you call it? — I mean so that it would go in as you described-sticking out, you know-if looking at that wicked photograph can make him so, and he must be just as much shown to me as I am to him.'

Harry.

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Note;

1. During my visit to London for studies where we had an Old Ancestral Home, I stumbled on a family treasure. Apart from other things I also found a hump of books, diaries, and notes in the treasure which contained classic, Age-old, Erotic books, Novels, and Magazines probably collected by my Ancestors. They are all timeless and precious. They are a must-read for all erotica lovers.

2. The Original Authors of these Stories/Letters or Articles are long dead or Anonymous.

3. Out of the aforesaid collection, presenting an amazing account which was first published 1874, of a sexually omnivorous photographer on the prowl in Paris (probably the first such book).

4. The letters were written by a friend, Mr. Harry from Paris. Harry Hargrove, photographer. Young, beautiful women come to Harry's studio to have their portrait taken, but while there, one thing leads to another, and randy Harry's life becomes one big Parisian orgy. Before internet porn, before porn videos, before porn movies, people lusting for raunchy, X-rated entertainment read pornographic books and magazines. Victorian and Edwardian England had its own adult entertainment industry - countless erotic novels were put out by shady publishers, some books were printed by the authors themselves, and most of the writers were anonymous. Many of these 19th-century books are surprisingly kinky, and some of them may be quite offensive to modern-day readers - in more ways than one. The anonymously written "Letters from a Friend in Paris" was first published in 1874. This novel in the form of letters is a great example of classic Victorian erotica.

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